In contrast to its predecessor New Amerykah Part One (4th World War) (2008), which was digitally produced and political in tone, New Amerykah Part Two (Return of the Ankh) incorporates sampling and live instrumentation, while its more personal lyrics focus on themes of romance and relationships.[10][11] "Return of the Ankh" was seen as a departure from the experimental work of New Amerykah Part One (4th World War) and a return to the musical style of Badu's earlier catalogue, particularly the jazz elements of Badu's debut, Baduizm (1997).[12] The album's style and production is characterized as being down-tempo, built around soul and jazz.[12] Badu has described its sound as "very analog".[13] According to Exclaim! critic Ryan B. Patrick, New Amerykah Part Two featured a "progressive fusion of 'Neo Soul' Badu with 'Seasoned and Savvy' Badu together at last".[14] " "Window Seat" was compared to the Badu's early work particularly "On & On" and "Otherside of the Game" from her debut album, "Window Seat" contains stomp-and-clap breakdowns built under halting lyrics.[11]
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